Course Title:
| Renaissance Art in Florence | |
Course Materials:
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Michael Baxandall, Painting & Experience in 15th Century Italy,: A Primer in the Social History of Pictorial Style, 2nd edition (Oxford University Press, 1988) ISBN: 019282144X
Linda L. Murray, Art of the Renaissance, (Thames & Hudson,1985) ISBN: 0500200084 | |
Course Description:
| (Fulfills the historical or international perspective requirement.) A study tour of Florence, the birthplace of Renaissance art. The artistic, historical, and cultural milieu into which Renaissance art was born is explored. Museum visits within the city and field trips to Siena, San Gimignano, and Arezzo are included. Students may receive credit for only one of the following courses: ARTH 199G or ARTH 489G. | |
Course Goals/Objectives:
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Upon completion of the course, students should be able to:
- discuss what the Renaissance was all about and how it changed the course of art in Europe, for the next 400 years
- recognize the Renaissance style and within this period, the personal styles of the various artists
- discuss the philosophy of Humanism and understand how it influenced the art of this period
- describe how the artist, through a scientific approach to perspective and a revival of Classical (Greco Roman) culture in general, increased his social status and leading to the development of the notion of artistic genius
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Course Introduction:
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This study tour takes place in Florence, the birthplace of the Renaissance in Europe. Students will visit the museums and more importantly, the churches and palaces where they will be able to admire works of art - Architecture, Sculpture and Painting- where they were meant to be seen. The course covers the Renaissance in all its aspects: the Precursors- GIOTTO & DUCCIO; the masters of the 1400's- MASACCIO, DONATELLO, BRUNELLESCHI, BOTTICELLI - just to name a few and the High Renaissance exemplified by MICHELANGELO, RAPHAEL and LEONARDO.
Students will study how the various disciplines interacted as well as how the social status of the artist developed along with the idea of artistic genius.
Museum visits and fieldtrips are an essential part of this class. | |
Grading Information and Criteria:
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The final grade is based upon the following calculation: 489G 199G A student journal 25% 35% Final exam in Florence 40% 55% Research paper 25% no paper Class participation 10% 10%
The exam, on the last day of class will include: Slide identifications, short questions and a choice of essay questions. Review sheets will be handed out to help prepare for the exam. The essay questions concern themes discussed throughout the class, for ex. Humanism and its impact upon the arts; the rise of the social status of the artist etc. There will be a review before the exam. | |
Other Information:
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The hotel has been reserved in the heart of Florence: Hotel GIADA Canto dei Nelli 2, tel.055 268 615 or 215 317 The hotel is a 5 min walk from the Central train station called SANTA MARIA NOVELLA (SMN) and is across from the side of the church of San LORENZO.
All lectures take place at the hotel.
We walk a lot! Wear comfortable and warm shoes, bring an umbrella and layers are a good idea because weather can be cold or balmy during the day. Bring a clipboard for note taking in the museums. There are many cheap restaurants in the area of the hotel as well as a fresh food market just around the corner. | |
Project Descriptions:
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The journal will help the student to organise the various fieldtrips and museum visits, especially since we will not see everything in chronological order. The student may wish to use a binder with loose leaf papers so that they can organize their journal on a day to day basis or on a chronological basis.
Upper level students must write a research paper of 5-7 pages, involving at least one other source in addition to the class texts. A list of subjects will be provided by the professor on the first day of class. Some examples:
- Compare the same subject ( for ex. Annunciation or David) by two (or maximum three) different artists
- Compare two (maximum three) works by the same artist to show how his style develops
- Discuss the repesentation of the male nude in the works of___________.
- Discuss the historical factors underlying the Renaissance, etc.
Students must include footnotes and a bibliography. Papers and journals are due by Feb 9. By mail: CMR 426, Box 831, APO AE 09613 E-mail: l.obrien@tin.it
Books should be read before class : MURRAY: Chap. 1,2,4,7, 8,9,10 BAXANDALL: Sections I & II | |
Academic Policies:
Cases of plagiarism are handled consistent with current UMUC guidelines. See the UMUC policies at the following URL: http://www.umuc.edu/policy/ | |
Course Schedule:
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(subject to last min. changes related to museum openings)
Sat. Jan 10 12-14:00 room assignations 14:00 class begins at the hotel Intro to the requirements, handouts and maps & Intro lecture 15:30 visit to San Miniato church (# 37 on city map) & Pza Signoria 19:30 extra lecture for students without an Art History background
Sun. Jan 11 9:00 Pza del Duomo(#2) Ospedale degli Innocenti(#25) ARCHITECTURE Sta Annunziata(#25)Sta Croce (#26) 13:00-14:00 lunch 14:00-18:00 Lecture at the hotel
Mon. 8:30 Bargello (#7) Opere del Duomo, Orsanmichele(#12), Baptistry Sculpture doors (#2) 14:00-16:15 Lecture 16:30 Brancacci Chapel (#31)
Tues. 8:15 private bus to SIENA: pal, pubblico, Duomo, Baptistry, San GIMIGNANO Collegiato, Pal. Pubblico 17:30 return to Florence
Wed. 9:00 Sta Maria Novell (#17)& Cloister, Pal. Ruccellai, Sta Trinita(#16) Lunch 1st visit to the UFFIZI (#10) 16:00-18:00 Lecture
Thurs. 8:00 train to AREZZO: Duomo, San Francesco, Vasari's house 13:00 return to Florence : visit San Lorenzo complex (#20) & Medici Chapel (#21) 15:30-17:30 Lecture and then visit to Accademia (#23)
Fri. 9:00 San Marco(#24), St. Apollonia(#22) Sta Magdalena 14:30- 16:45 Lecture 17:00 review vist to the UFFIZI 19:30 optional review for the exam
Sat. 9:00-10:30 question period 10:30-13:00 exam
Lunches are 45-60 mins. | |